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                  <text>League of Women Voters of the Fairfax Area records, 1948-2014, #C0031</text>
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                  <text>The League of Women Voters (LWV) was founded in 1920 by Carrie Chapman Catt, a leader in the women's suffragist movement. Its purpose is to encourage citizens to participate actively in government by supporting the party of their choice. While the LWV is a nonpartisan organization, and therefore does not support individual candidates, it does take a position on issues of a national, state, and local scale selected by the membership. Such issues of the past included support for a minimum wage, child labor laws, and equal opportunity for women in government.&#13;
&#13;
In Virginia, the LWV began as the Equal Suffrage League, which worked diligently for the ratification of the nineteenth amendment. The Equal Suffrage League joined the national LWV and created a state league. The first local league in Virginia was established in Richmond, followed by chapters in Alexandria and Arlington.&#13;
&#13;
The League of Women Voters of the Fairfax Area (LWVFA) was granted full league status in 1948. However, the LWVFA of the present day was established in 1964 after the town of Fairfax became a city in 1961 and thus a separate governmental jurisdiction from the County of Fairfax.&#13;
&#13;
The League of Women Voters of the Fairfax Area Records contains material from the LWVFA's activities from 1948-2013, including studies, information on political issues, meeting minutes, newsletters, correspondence, and photographs. The collection is organized in 9 series for easy use and research. The 9 series are: Board Meetings and Minutes, Programs, Publications, Correspondence, Conventions and Meetings, Subject Files, Oral History, Photographs, and Oversized.</text>
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                <text>GMU News Release about political debates</text>
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                <text>1980-01-29</text>
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                <text>American Forensic Association chooses GMU faculty, Warren Decker, for Ad Hoc Committee for Public Political Debates. This group worked with the League of Women Voters to promote debates pertaining to political issues. </text>
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                <text>GMU Office of University Relations newsclippings and press releases</text>
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                <text>GMU Office of University Relations newsclippings and press releases, R0004</text>
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                <text>Election</text>
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                <text>&lt;em&gt;The Crucible&lt;/em&gt;</text>
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                <text>Cover to the playbill for T&lt;em&gt;he Cruicible&lt;/em&gt;. The play, originally wrote in 1953 by Arthur Miller, holds a legacy of being specifically written as an allegory for McCarthyism. Miller’s play is a fictionalized version of the Salem Witch Trials.</text>
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                <text>Arena Stage, Inc.</text>
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                <text>Arena Stage records, C0017, Box 553, Folder 6</text>
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                <text>Two opened pages to Arena Stage 1973 Russian Tour scrapbook. in 1973, Arena Stage became the first American theatre company to tour the Soviet Union as part of a State Department cultural exchange initiative. They presented &lt;em&gt;Our Town&lt;/em&gt; and &lt;em&gt;Inherit the Wind&lt;/em&gt; to Soviet audiences.</text>
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                  <text>Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.&#13;
&#13;
In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).&#13;
&#13;
The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10" and l3x10" color and black and white prints and 35mm and 4x5" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.</text>
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                <text>Nixon, Thelma Catherine</text>
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                  <text>Oliver F. Atkins was born February 18, 1916 in Hyde Park, Massachusetts. He earned a B.A. in Journalism from the University of Alabama in 1938, and accepted a position with the Birmingham Post as a staff photographer. Within two years he became chief photographer for the Scripps Howard-owned paper. In 1940, he joined the Washington Daily News where he remained until 1942 and the outbreak of World War II. During the war, he served as a correspondent and photographer for the American Red Cross covering the African campaign, the invasions of Sicily, southern Italy, southern France, and Germany. After the war, Atkins joined the staff of the Saturday Evening Post. As the Washington correspondent for the Post, he photographed many important leaders of the United States and the world. Among them were Harry S Truman, Dwight D. Eisenhower, Richard M. Nixon, John F. Kennedy and Robert F. Kennedy, Martin Luther King, Jr., Winston Churchill, Gamel Nasser, Nikita Kruschev, Josip B. Tito, and Jawaharlal Nehru. He was the Post's Far East correspondent in 1951, and also enjoyed a personal and working relationship with the magazine's famous illustrator, Norman Rockwell.&#13;
&#13;
In 1969, Atkins became the personal photographer of President Richard M. Nixon and chief White House photographer. Of his many images of Nixon, the series documenting the meeting of December 18, 1970 with Elvis Presley is the most famous and the most requested. After Nixon's resignation in 1974, Atkins became vice president of Curtis Publishing Company of Indianapolis and remained there until his death in 1977. Ollie Atkins's awards include the White House News Photographers' Association Grand Award, the Graflex All American Photo Contest Portrait Award, and the National Press Photographers' Association Personalities Award. Books by Ollie Atkins include Camera on Assignment (co-written with Charles Baptie, 1957), and The White House Years: Triumph and Tragedy (1977). He also contributed to William Safire's Eye on Nixon (1972).&#13;
&#13;
The Atkins collection consists of approximately 60,000 images that extensively document American political and cultural history from the 1940s through the 1970s. Most of the images that document American political life date from the early 1960s through the mid-1970s when Atkins worked as a photographer for the Saturday Evening Post and then later as the personal photographer to President Richard M. Nixon. The bulk of the American cultural documentation is from Atkins' work in the 1950s and early 1960s on specific stories for the Saturday Evening Post, and these stories cover other areas of the United States, particularly the Southeast up through the Northeast coast. There are also a number of international sets of images from Korea, Africa, and India. The collection consists largely of 8x10" and l3x10" color and black and white prints and 35mm and 4x5" black and white negatives. There are also a number of slides, contact sheets, and oversize matted prints. The collection also includes some correspondence and other documentation on Atkins' work and travel abroad.</text>
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