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                <text>&lt;em&gt;Communism Versus the Negro&lt;/em&gt;</text>
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                <text>1951</text>
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                <text>&lt;p&gt;Front and back covers to &lt;em&gt;Communism Versus The Negro&lt;/em&gt;, a book detailing author William Nolan's belief that communists use propaganada to persuade African-Americans to support their cause.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Please note that the title contains an offensive word that is no longer in use&lt;/em&gt;.&lt;/p&gt;</text>
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                <text>Nolan, William A.</text>
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                <text>Rare Books E 185.61 .N81</text>
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                <text>Rare Books</text>
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                <text>Communism, African-Americans</text>
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                <text>&lt;em&gt;Exposure; Everlasting&lt;/em&gt;</text>
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                <text>Chernobyl, nuclear energy, U.S.S.R.</text>
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                <text>The 1986 Chernobyl nuclear plant disaster resulted in significant health problems for those who lived in the area. E&lt;em&gt;xposure; Everlasting&lt;/em&gt; details the experinces of thirty individuals who survived the event.</text>
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                <text>Obara, Kazuma,</text>
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                <text>Artist Books TR 655 .O22 2018</text>
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                <text>Dare to Vote</text>
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                <text>Artist's book consisting of printed letterpress from lino blocks, photopolymer plates, wood type and rubber stamping on Magnani Velata Avorio paper, hand bound and housed in box with pencils.</text>
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                <text>Oppen, Monica</text>
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                <text>N7433.4.O69 D37 2012</text>
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                <text>Artists Books'; &#13;
Democracy and the arts -- Australia</text>
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                  <text>Federal Theatre Project photograph collection, 1936-1939, #C0205</text>
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                  <text>Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.&#13;
&#13;
Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.&#13;
&#13;
But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: "In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up."&#13;
&#13;
Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: "Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude." To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.&#13;
&#13;
The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.&#13;
&#13;
The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The "Negro Theater" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.&#13;
&#13;
This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.</text>
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                  <text>1936-1939</text>
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                  <text>https://scrc.gmu.edu/finding_aids/ftpphoto.html</text>
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                <text>&lt;em&gt;Lucy Stone&lt;/em&gt; [Scene 8]</text>
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                <text>Typescript of Scene 8 of the Federal Theatre Project play, &lt;em&gt;Lucy Stone&lt;/em&gt;. Play is a biographical piece about 19th century suffagist, Lucy Stone.</text>
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                <text>Park, Maude Wood</text>
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                <text>Federal Theatre Project collection C0002, Box 197, Folder 05</text>
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                <text>Federal Theatre Project collection, #C0002</text>
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                <text>Stone, Lucy</text>
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                <text>George Mason University.  Libraries.  Special Collections Research Center.</text>
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                <text>C0002_B0197_F06</text>
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                <text>Anti-WW3 Art and Poetry exhibit poster</text>
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                <text>Multi-colored poster advertising the Anti-WW3 Art and Poetry exhibit in San Francisco and Los Angeles, California.</text>
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                <text>San Francisco Poster Brigade </text>
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                <text>San Francisco Poster Brigade poster collection, C0282</text>
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                <text>United States Senator, Margaret Chase Smith of Maine shaking hands with an unidentified man.  Smith was the first woman to be elected to both houses of Congress. Smith also ran for president in 1964. </text>
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                <text>Smith, Margaret Chase, 1897-1995</text>
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                <text>Letter from Columbia Pictures’ executive Nathan B. Spingold to an E. Marcus of New York assuring him of Columbia Pictures’ disavowal of Communism, October 30, 1951. </text>
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                <text>Francis J. McNamara papers, C0024, Box 61, Folder 3</text>
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                <text>&lt;em&gt;The Red Plot Against America&lt;/em&gt;</text>
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                <text>The front and back covers to &lt;em&gt;The Red Plot Against America&lt;/em&gt; by Robert E. Stripling.</text>
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                <text>Stripling, Robert E. </text>
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                <text>Hayden Peake collection</text>
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                <text>Communism, internal security, espionage</text>
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                  <text>The League of Women Voters (LWV) was founded in 1920 by Carrie Chapman Catt, a leader in the women's suffragist movement. Its purpose is to encourage citizens to participate actively in government by supporting the party of their choice. While the LWV is a nonpartisan organization, and therefore does not support individual candidates, it does take a position on issues of a national, state, and local scale selected by the membership. Such issues of the past included support for a minimum wage, child labor laws, and equal opportunity for women in government.&#13;
&#13;
In Virginia, the LWV began as the Equal Suffrage League, which worked diligently for the ratification of the nineteenth amendment. The Equal Suffrage League joined the national LWV and created a state league. The first local league in Virginia was established in Richmond, followed by chapters in Alexandria and Arlington.&#13;
&#13;
The League of Women Voters of the Fairfax Area (LWVFA) was granted full league status in 1948. However, the LWVFA of the present day was established in 1964 after the town of Fairfax became a city in 1961 and thus a separate governmental jurisdiction from the County of Fairfax.&#13;
&#13;
The League of Women Voters of the Fairfax Area Records contains material from the LWVFA's activities from 1948-2013, including studies, information on political issues, meeting minutes, newsletters, correspondence, and photographs. The collection is organized in 9 series for easy use and research. The 9 series are: Board Meetings and Minutes, Programs, Publications, Correspondence, Conventions and Meetings, Subject Files, Oral History, Photographs, and Oversized.</text>
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                <text>Letter of support for equal pay from Sue Anderson, President of the League of Women Voters of the Fairfax Area</text>
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                <text>Letter urging Virginia legislators to support HJR 35 - which at the time was a bill supportive of equal pay - from Sue Anderson, President of the League of Women Voters of the Fairfax Area.</text>
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                <text>League of Women Voters of the Fairfax Area records, C0031, Box 15, Folder 1, Special Collections Research Center, George Mason University Libraries.</text>
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                <text>Pamphlet produced by the U.S. Department of Defense outlining federal laws pertaining to internal espionage.</text>
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                <text>Hayden Peake collection</text>
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